Cool Automotive Mould Manufacturers images

Cool Automotive Mould Manufacturers images

A few nice automotive mould manufacturers images I found:

1934 Delage D8SS Cabriolet, 1 of 1 ever created
automotive mould manufacturers
Image by Ger and Audrey
The masterpiece of Automobiles Delage was the D8 with its 4-liter, straight-eight engine that was introduced at the Paris Salon in October, 1929 and production continued to 1933.

The D8 was elegant and inspired coachbuilders to create their most stylish designs; in standard form, the D8 developed 102 hp. The D8S model had a power increase to 118 hp. @ 3800 rpm and the D8SS had 145 hp. at 4500 rpm; elegance required a touch of speed!

The coachbuilding firm of Fernandez & Darrin was formed through a partnership between American designer Howard "Dutch" Darrin and Mr. Fernandez, a Parisian banker. Darrin, formerly of the Hibbard & Darrin coachbuilding company, created concours-winning body designs on the chassis of Europe’s most prestigious luxury marques.

This dramatic cabriolet has a removable panel over the front seat and length is accented with polished aluminum on the hood and the belt molding. The Lalique crystal radiator mascot, "Tête de paön," depicts the proud peacock’s head in profile.

Engine:
8 cylinder, straight-eight, OHV
3.03" bore, 4.29" stroke
247 cubic inch
145 hp. @ 4500 rpm.

Body/Coachbuilder:
Fernandez & Darrin
Paris, France

Manufacturer:
Automobiles Delage
Courbevoie, Seine, France

Price when new: $ 3,000 (chassis only)

1934 Delage D8SS
automotive mould manufacturers
Image by glennfrancosimmons_
This car was really hard to get good photos of because Blackhawk’s second-floor gallery is so dark. Eventually, I’ll see if I have better ones than these.

Blackhawk Automotive Museum contains masterpieces as elegant as any that you will find in the finest museums the world over.

If you believe that statement to be filled with a hubris of hyperbole, then you are probably not a classic-car lover and mistake automotive masterpieces as unworthy of being considered art. Yet it is art. I’ve often mentioned this when discussing Blackhawk.

Already more than two decades young, Blackhawk has gained an international reputation for its legendary automotive collection.

One of the finest vehicles in its galleries is this 1934 Delage D8SS — the only one of its kind ever made.

And Blackhawk has it, in addition to many other very, very rare vehicles.

Not only were Delage autos among the finest ever made in France, but they were renown the world over for their artistic symmetry.

Of the Delages produced, the finest masterpiece was the D8 with its four-liter straight-eight engine that was introduced at the Paris Salon in October 1929, with production continuing until 1933.

The D8 was an auto of elegance and beauty, as you can see by these photos.

Blackhawk said such attributes inspired "coachbuilders," as auto designers were then called, "to create their most-stylish designs."

The D8 developed into the D8S, a 102-hp engine, only to have a power increase up to 118-hp at 3,800 rpm, according to Blackhawk.

Not content with that, the D8SS had a power increase up to 145 hp at 4,500 rpm. One could call it speedy elegance.

Just imagine taking this beauty on a coastal ride up or down Highway 1.

The beautiful coachwork in this Delage resulted from a partnership with the skillful coachbuilders Fernandez & Darrin that reached its golden age with this special model.

"The coachbuilding firm of Fernandez & Darrin was formed through a partnership between American designer Howard ‘Dutch’ Darrin and Mr. Fernandez, a Parisian banker," Blackhawk notes.

Darrin was a former partner of the Hibbard & Darrin coachbuilding company, which Blackhawk said created "concours-winning body designs for the chassis of Europe’s most-prestigious luxury marques."

The beautifully elegant cabriolet shown in this post "has a removable panel over its front seat and length that is accented with polished aluminum on the hood and belt molding," Blackhawk notes.

"The Lalique crystal radiator mascot, ‘Tete de paon,’ depicts the proud peacock’s head in profile," Blackhawk states.

Engine:
7-cylinder, straight-eight, OHV
3.03" bore, 4.29" stroke
247 cubic inch
145 hp at 4,500 rpm

Body/Coachbuilder
Fernandez & Darrin
Paris, France.

Manufacturer
Automobiles Delage,
Courbevoie, Seine, France

Price when new: ,000 (chassis only in 1934 dollar valuation).

Cool China Plastic Parts For Car Manufacturer images

Cool China Plastic Parts For Car Manufacturer images

Some cool china plastic parts for car manufacturer images:

92041 china clay tankers Wembley to Dollands Moor 6B37
china plastic parts for car manufacturer
Image by train_photos
DB Schenker class 92 number 92041 named "Vaughan Williams" painted in EWS two tone railfreight grey livery and a three ‘O’ shaped channel tunnel roundel logo working 6B37 hauling empty NACCO (North American Car Corporation) tankers from Wembley European Freight Operating Centre to Dollands Moor Sidings as part of their return journey to Antwerpen (Antwerp) Docks, Belgium from Irvine Scotland on 28 February 2014. For the route taken see (www.flickr.com/photos/99279135@N05/14289727859/). 92041 traveled down to Wembley earlier in the day as 6M76 photographed at Northampton by Nigel Gould (www.flickr.com/photos/60599026@N05/12831694204/in/photoli…). Prior to this Brian Denton photogrphed these tankers filled with china clay slurry heading northwards towards Scotland on 26 February 2014 (www.flickr.com/photos/brian_dentons_linesidephotos-europe…). Once the tankers arrive back at Antwerpen Docks they are reloaded with china clay slurry (kaolin) made from rocks rich in kaolinite, Al2Si2O5(OH)4, imported from Brazil. This slurry is transported to Irvine, Scotland by 6S94 where it is used by the Finnish company, UPM-Kymmene (United Paper Mills Ltd) Corporation’s at their Caledonian Paper Mill to produce lightweight coated paper for printing magazines, catalogues and brochures.

92041 was assembled by the BRUSH Traction Company Loughborough in 1996, from sub-contracted components e.g. Procor UK bodyshell, Asea Brown Boveri (ABB Rail) traction converters and GTO (Gate Turn-Off thyristor) controlled via the MICAS-S2 electronics system, retractable third rail collector shoes and pantographs made by Brecknell Willis, the engraved aluminium BRUSH traction works plates made by J M Ranger Limited of Leicester and cast aluminium based alloy Crew Depot plaque produced by David Newton of Nottingham. For track to train communications class 92s were fitted with the Siemens International Train Radio (ITR) "chameleon" system which could automatically change over to match local ground systems e.g. at international boarders and allowed the driver to select from a range of language settings. STS Signals Ltd supplied electronic Train Protection and Warning System (TPWS) control units for class 92s as an add on to the Automatic Warning System (AWS) equipment. STS Signals Ltd also developed a twin-lightweight AWS receiver for use on class 92s so that only one receiver was needed to detect both standard strength magnets on lines powered by AC overhead wires (Rx1) as well as the extra strength magnets used on DC third rail lines (Rx2). All non-metallic components of the class 92 were either certified for Eurotunnels fire regulations by the manufacturers or where suppliers could not provide this information products such as the divers seat (made by Chapman Seating Limited) and plastic push buttons were fire tested by BRUSH.

Cool Plastic Fan Mould Maker images

Cool Plastic Fan Mould Maker images

Some cool plastic fan mould maker images:

memories of the Eighties!
plastic fan mould maker
Image by brizzle born and bred
I started with the 1950s then the 1960s and the 1970s and continue with the 80s.

God it all comes rushing back! I thought it was all just a bad dream!. (A sure sign of the ageing process)

It was a time when Don McClean’s version of Roy Orbison’s ‘Crying’ sat atop the singles chart, its glum chorus summing up a country struggling to emerge from the late-70s doldrums.

GDP had dropped by -1.8 per cent while unemployment, at 5.8 per cent or 1.56million, was still some 0.3 per cent or 360,000 short of today’s more painful figure.

While Britons got by on an average wage of £6,000 (the equivalent of about £19,000 today), petrol cost 28p a litre (90p), a pint of beer was 35p (£1.10), a loaf of bread 33p (£1.10) and a pint of milk 17p (54p).

At the month’s end, the pre-decimal sixpence was withdrawn from circulation. Later that summer, Alexandra Palace in London was part-destroyed by fire.

The British Olympics team returned from Moscow with a medal haul – including five golds – that left them ninth in the table, below Hungary, Romania and Bulgaria. The USSR finished top with 80 golds.

Earlier in the year, the first episode of Yes, Minister had been broadcast by the BBC and SAS officers ended a hostage crisis by storming the Iranian Embassy in London, killing five terrorists and free all the captives.

Political events were to prove emblematic of the coming decade. In June it was announed that nuclear weapons were to be stored at RAF Greenham Common, prompting years of protests from the CND.

The 1980s set the mould for Britain today!.

It was the decade of Thatcher, yuppies and big phones.

In October, amid murmurs that she would be forced to make a U-turn in her economic policies, Margaret Thatcher, the prime minister, told the Conservative Party conference: "You turn if you want to. The lady’s not for turning."

In November, Ronald Reagan, the Republican former actor and Governor of California was elected US president, defeating by a landslide Jimmy Carter, who had presided over a sharp economic decline.

Back in Britain, after the resignation of Jim Callaghan, Labour elected the left-winger Michael Foot as leader, opening a generation of in-fighting that would see them fail to retake power for another 17 years.

In sport, while England failed to progress past the group stages of the European football championships in Italy, there were also then-unknown reasons for long-term optimism: future stars Steven Gerrard, John Terry and Ashley Cole were all born during the year.

Meanwhile, the assassination in December of John Lennon outside his New York apartment building capped a year of terrible losses to British arts. Among others who died were the film-maker Sir Alfred Hitchcock, the photographer Sir Cecil Beaton, the actors Peter Sellers and Hattie Jacques, and the musician Ian Curtis.

But for many of you reading this, it was all about BMX bikes, big hair, bright socks and New Romantics.

I remember the 80s as a consumerist paradise with massive phones, filofaxes and flash suits. There were also downsides outside of London, with riots and unemployment but to be honest the UK was rightfully feasting on Jambon at the table of European Commercialism and Progress.

Thank God I was an adult (in age anyway) in the 80s!

Being born in 1949 and then growing up during the 50s, 60s and 70s I found the 80’s a huge disappointment!

In the 60s we had free love, drugs, wild new music, in the 70s Glam and Punk rock, more free love, fun clothes.

But just as you were getting old enough to enjoy yourself without parental supervision! The 80s gave us Thatcherism, Aids, poncey poodle fashions and the most celebrated music star – Boy George telling us ‘War, War is stupid…’

It was the decade of spend, spend, spend, for some of 80s Britain.

The Cold War

A poll conducted in 1980 found 40 per cent of adults said they believed a nuclear war was likely in the next 10 years.

Yes deep insecurities were being sown in people’s minds as tensions between East and West heightened.

In the early 80s there was an intense awareness of the Cold War. Every move of the Kremlin was watched by the media at the time, should some crisis in Central America or the Middle East ignite World War Three.

Ronald Reagan was the president, talking of the evil empire, and spending huge sums on the military. Cruise missiles were being delivered to Greenham Common and Molesworth to much protest at the time.

As an adult now, you can appreciate the doctrine of "outspending, outperforming" the communist bloc which in the end hastened its demise. But at the time, watching the Soviet soldiers marching through Red Square in front of Brezhnev, you did wonder what might happen.

The nuclear threat was addressed in pop music with Nena’s 99 Red Balloons and Frankie Goes to Hollywood’s Two Tribes, on television with The Day After and Threads and in films such as Defence of the Realm and WarGames.

Britain busy being born

The Eighties were more subtle and significant: there would be no Katie Price without Samantha Fox, no Lady Gaga without Madonna, no Simon Cowell without Stock, Aitken and Waterman and no David Cameron without Margaret Thatcher.

The Eighties marked the death of one Britain and they hinted at another Britain busy being born.

The Eighties can appear endearingly unfamiliar. What did we do with our hands when we didn’t have smart phones? How did we waste time before Twitter?

Britain in turmoil

There was massive unemployment, whole of Britain in turmoil under thatcher, lads like me off to a phony war for political gain, and criminals like Archer and Maxwell running riot with Justice…I lost some respect I had for the police in the 1980s, following their handling of the 1984-85 miners’ strike.

It struck me that they were quite happy to stand back and watch football hooligans run riot on match days, for example (a genuine disturbance of the peace issue), but were overly keen to viciously truncheon miners and charge them with horses as and when required (a legal dispute between employees and employers).

The police should only be used to enforce the law and not be used to implement a political agenda (in this case, Thatcher’s destruction of our coal mining industry).

I remember huddling around a small battery-operated black and white TV by candlelight through yet another electricity strike, watching news reports of rats collecting around piles of uncollected rubbish in the streets.

Everyone lived at the mercy of the trade unions, employers could not remove lazy workers, and British manufactured goods, famous for their poor quality, were a worldwide joke.

The rise of capitalism, the inner city riots, rise of city yuppies and estate agents, we eventually saw the dark side of capitalism, where money, greed and power became more important than anything else. The eventual collapse of the banking system was the inevitable result of an economy reliant on money which did not actually exist.

From the miners’ strike, the Falklands War and the spectre of AIDS, to Yes Minister, championship snooker and Boy George.

Falklands War, the Miners’ Strike and the Brixton riots, as well as those reflecting on industry in the 1980s, unemployment and redundancy, and HIV and Aids.

Britain changed more in the 1980s than in almost any recent decade. The rise of the City and the fall of the unions, the wider retreat of the left and the return of military confidence, the energy of a renewed entrepreneurialism and the entropy of a new, entrenched unemployment.

The 1980s, destined to become the darkest decade for English football, opened with a portent of things to come when England travelled to the European Championships in Italy.

The rioting on the terraces during that tournament was a sight that was to become commonplace whenever the national team travelled abroad in the ensuing years.

You name a European city and it will have experienced so-called England fans terrorising stadiums or rampaging through the streets and squares.

It is good on music, showing how music evolved from political protest songs by the Specials and UB40 in the early 80’s, through to Live Aid in 1985 and then to Stock, Aitkin and Waterman whose musical production line with songs by the likes of Kylie and Rick Astley dominated the last few years of the decade.

Any memeories of Britain in the 1980s must inevitably revolve around the former Conservative Prime Minister and Thatcherism.

The Thatcher years

Yet Thatcherism was the bell-ringing herald of an age of unparalleled consumption, credit, show-off wealth, quick bucks and sexual libertinism. When you free people, you can never be sure what you are freeing them for.

Ted Heath had fought and lost an election on the question of ‘who governs?’ in the 1970s; and Thatcher was determined history would not repeat itself. Those on the right will regard her as a heroic figure that dragged Britain kicking and screaming into the modern age.

"Thatcher the milk snatcher" had the reins – and there was a sad anticipation that things were not going to get better.

Elected just after the industrial unrest of the "Winter of Discontent", she embarked on a tough reform programme with the top priorities of tackling inflation and the unions.

The Eighties did not begin on January 1 1980; they began on May 4 1979 with the arrival of Margaret Thatcher in Downing Street.

Queen Elizabeth may have reigned but it was Thatcher who ruled the Eighties

She was the longest-serving British Prime Minister of the 20th century and is the only woman to have held the office. A Soviet journalist called her the "Iron Lady", a nickname that became associated with her uncompromising politics and leadership style. As Prime Minister, she implemented policies that have come to be known as Thatcherism.

She was the Prime Minister of the United Kingdom from 1979 to 1990 and the Leader of the Conservative Party from 1975 to 1990.

Thatcher became Prime Minister on 4 May 1979. Arriving at 10 Downing Street, she said, in a paraphrase of the prayer Make Me an Instrument of Your Peace:

"Where there is discord, may we bring harmony. Where there is error, may we bring truth. Where there is doubt, may we bring faith. And where there is despair, may we bring hope".

Falklands War

The defining event of her premiership was the conflict over the Falkland Islands. In many respects the Falklands War was a bizarre conflict: as Ronald Reagan was moving towards promulgating a missile defence system that would involve space-based interceptor missiles, Britain found itself embroiled in a conflict ‘whose origins owed more to the preoccupations of the nineteenth century … in that it was about the ownership of territory’

The weapons that both sides used were by and large still those of the Second World War; and newspapers were the most immediate means for the public to gain information about the conflict.

The ‘last of the good-old fashioned wars’; a throwback to the days before humans became so good at killing each other that conflict now potential involved the destruction of the entire planet. And ultimately, the conflict was a more close-run thing than popular memory allows. It should also be noted that some people claim that reports of a ceasefire in the Falklands conflict began to emerge during the 1982 World Cup final. This is highly unlikely, given that the ceasefire was signed on 14 June and the World Cup final took place on 11 July.

Although it undoubtedly played its part, victory in the Falklands War was not entirely responsible for Thatcher’s re-election in 1983. Opinion polls suggest the tide had begun to turn at the start of 1982, with the unemployment rate still growing – but more slowly – and the economy beginning to turn around. That said, the Falklands transformed Thatcher from a unreliable quantity into the Tories prime electoral asset. In contrast, opposition leader Michael Foot attracted large amounts of derision, with one Times columnist describing him as the sort of man ‘unable to blow his nose in public without his trousers falling down’

Meanwhile the novelty of the SDP had quickly worn off after its formation in the early 1980s – there was now no need for ‘for the media to dispatch a camera team every time Shirley Williams stepped deftly from a railway carriage onto a station platform’

Thatcher’s Children

But many of you were oblivious to the political drama and the social changes sweeping Britain because you were growing up.

The Eighties. What do you remember?

See below for childhood memories in the 80s.

BMX bikes, Rent-a-Ghost and ZX Spectrum computers were more important.

Digital watches that were usually made by Casio, and which sometimes doubled as calculators.

Gordon the Gopher (and the Broom Cupboard) Phillip Schofield’s adorable squeaking sidekick

Back to the Future or anything involving Michael J Fox

Ghostbusters

Heavy Metal

Wham! George Michael and Andrew Ridgeley (aided and abetted by Pepsi and Shirley) sold 25 million records worldwide between 1982 and 1986. A similar number of British market stalls sold knock-off ‘Choose Life’ T-shirts.

Sun-In The best thing to happen to ’80s hair along with the perm, Sun-In turned your barnet blonde (or more likely, orange) in an instant.

Arcade/computer games Pac-Man, Frogger, Donkey Kong, Pole Position… If you weren’t playing them at home, you were playing them down the arcade. Pocket money was never spent so quickly.

The Young Ones Even if we were too young to understand all the jokes (especially the rude ones), ‘The Young Ones’ was an unforgettable – and incredibly quotable – comedy feast for us ’80s kids.

Torvill And Dean Bolero. Mack and Mabel. And here, Barnum. Suddenly, ice skating wasn’t just a sport but a moving, musical spectacle.

PEZ sweet dispensers Dispensing little tiny fizzy sweets was never so much fun!

Sinclair Spectrum.

Commodore 64.

Madonna She chewed gum, snogged boys and showed her bra – all while singing and dancing. We British children had never seen the likes of it, and were forever changed.

Transformers Transformers – more than meets the eye! Transformers – robots in disguise! And so on.

Slush Puppies The best way to get brain freeze as a child in the ’80s.

Grange Hill In the ’80s, British children liked nothing more than coming home from school to watch a show about children at school. Which was perfectly understandable, because that show was ‘Grange Hill’.

Bucks Fizz They won the Eurovision Song Contest in 1981 with an audacious display of catchy pop, fluffy hair and skirt-losing. And lo! British kids had four new pop heroes.

Neighbours A must-watch for British schoolchildren at lunchtime, after school, or both.

Duran Duran Did we know what they were singing about? No. Did we care? No. They had great tunes, and ever greater hair.

The Sony Walkman Which enabled us to listen to Duran Duran everywhere. Hoorah!

John Hughes’ movies Ferris Bueller’s Day Off, Pretty In Pink, The Breakfast Club… Hughes’ movies weren’t just relatable, they were a slice of cool American escapism.

He-Man …and the masters of the universe, of course. "By the power of Greyskull!"

Five Star "Britain’s answer to The Jackson Five" weren’t really that. But they were fine purveyors of kid-friendly bubblegum pop and shoulder pads.

BMX bikes What the Chopper was to the ’70s, so the BMX was to the ’80s. Especially after we all saw ‘E.T.’

The Adventure Game The same tasks each week, yet never a moment of dullness? It had to be the delightful, Douglas Adams-esque ‘The Adventure Game’.

Trivial Pursuit At last! British families had another board game to play apart from Monopoly. And it really sorted out the smart people from the, erm, people who regularly got stuck on blue Geography questions, ie everyone.

Breakdancing As popularised in the movie ‘Breakdance: The Movie’ and attempted, badly, by children at school discos throughout Britain.

Dangermouse!

The Royal Wedding/Princess Diana British girls now had a pretty princess to coo over, British boys now had a member of the royal family they could actually fancy, and British kids everywhere got a day off school. Hoorah!

Saturday Superstore The tradition started by ‘Multi-Coloured Swap Shop’ continued with ‘Saturday Superstore’, which ran from 1982 to 1987 and was hosted by Mike Read (he of the colourful glasses), Sarah Greene (she of the hair scrunchies) and Keith Chegwin (he of the annoying laugh).

Culture Club "Is it a boy? Is it a girl?" No sooner had Boy George confused British kids with his androgyny than he’d swept them off their feet with a string of catchy hits. Marvellous.

The Rubik’s Cube There was only one question on kids’ lips in the ’80s. And that was: "Can you do it?"

Now That’s What I Call Music… The best music compilation albums ever? Back then – when they were being sold to us by a pig voiced by Brian Glover – most certainly, yes.

Fame The ‘Glee’ of the ’80s. Hands up who didn’t dream of flying to New York, auditioning for the High School Of Performing Arts and dancing on top of a yellow taxi? We know we did.

Acne, puberty, A-Team, Night Rider, Young Ones, Only Fools & Horses, Miami Vice, XR3i and the Lamborghini Countach.

Wham, many young girls were so in love with George Michael. All that lusting, then you find out he’s gay!. Remember the "lewd act" in a public lavatory!.

The A-Team and Mr T

Michael Jackson and the huge anticipation around the release of the Thriller video. The album probably remains the best selling of all time.

Airwolf

Street Hawk

Waca-Day & Timmy Mallett

10p sweetie mix-ups

Liverpool FC & John Barnes/Ian Rush

Wimpy burgers

Atari consoles & Space Invaders

Thriller & the moonwalk

Roland Rat

Campri ski-jackets

Robin Of Sherwood

Hoddle & Waddle

Tea-bags

Different Strokes

‘VW’ badges

Newcastle FC/Brazil pom-pom hats

The Karate Kid

Mexico 86 & Gary Lineker’s wrist bandage

Music was loud and often involved electric pianos the size of Wales.

TVs were multiplying as well as getting bigger

Top loading video recorders and huge microwave ovens appeared whilst trim phones disappeared.

Monster record players started to shrink and CD players started to grow.

Home computers spread like wildfire

Work computers often filled entire rooms but started to shrink.

Cars still fell apart (unless Japanese or German) but started getting demographically faster with 205 and Golf GTi, more valves and the occasional turbo. Diesels still smelt and were usually lorries. People started to forget what a choke was, and only owned a 4×4 if they had a field or hillside to drive it over.

Pizza was suddenly the "in" food. Of course in the early days it was usually your typical frozen ones. They were great for dinner during school holidays, a real change to boring sandwiches.

Rubik cubes, the rise of 1980s hair. LA Hair Metal and the death of Punk, the original Live Aid concert. Big shoulder pads, thanks to Dallas – which also started the "I Shot JR". BMXs, cassettes and LPs were still on the go. Boy George and Adam Ant doing the "Prince Charming"

Sinclair Spectrum computers, Commodore 64s and Amstrad 1640, BBC Computers and Acorns and the rise of the Apple Mac. Pretty in Pink, Ferris Bueller’s Day Off, the conclusion of the Indiana Jones trilogy, Back to the Future and Gremlins.

The series finale of M*A*S*H and such classics Dallas and Cheers.

Ray Ban sunglasses. The must-have designer labels on clothes. The "I must have MTV". The Michael Jackson and his groin-grabbing routines. The Madonna and her controversial music videos.

Seeing ET in the cinema and crying at the end!

Being madly in love with Simon le Bon and wanting to be like Madonna, riding around on a battered BMX, watching Live Aid on telly, Marathons in a selection box every Xmas, drinking Quantro and trying to get drunk on Top Deck. Being a teenager when the second summer of love happened in 89…Happy days!!

Ra-ra skirts, po-go sticks, Dallas, Tenko, Soda-stream, Wagon wheels and the slipper at school!

The Smiths

…ah, Heaven…80’s weren’t bad after all!.

More memories of the 80s

Being worried about getting Aids from banknotes; trying to persuade dad to build a nuclear bunker; and Jimmy Knapp the hero of London commuters who stopped us being able to get to work during the summer of 1988 and 1989!

Ah, the thawing of Cold War. The collapse of communism in Europe. The intifada in Israel and its disputed territories. The revolving door of Soviet Union leaders spinning faster than ever. The stock market crash of 1987.

Coal. Snow. Cold winters in the south. No radiators. Hair gel and shellsuits. White socks, white trainers and Run DMC style wearing the tongues out of the laces. Multicoloured luminous and mismatched socks and Bruce Lee Kung Fu slippers. Betamax and VHS. Madness and The Young Ones.

Women could wear fur coats without the Anti brigade being very hypocritical, ie wearing leather and saying fur was bad! Choppers (bicycles)! Huge Video Cameras, even bigger phones, shiny suits and cool cars.

More bits of plastic in the wallet. In turn followed by interest rate hikes, less work, negative equity.

Memories of a phone box as the privatisation improved telecoms beyond recognition. Shops no longer closed Wednesday afternoon, and power cuts caused by strikes.

The music and popular culture of that decade (especially the New Romantic early 80s) made such a vivid contrast with the nihilism of the late 70s punk era. Boys started wearing pastel pink and yellow and still looked cool (in spite of the mullet hairstyles).

The North/South divide was at its height in the 80s.

The age that made cocaine, political and financial incompetence, nepotism and tasteless extravagance acceptable.

Flying a Union jack when the Falklands War started.

Miners Strike going on forever, Cruise Missiles and strikes at News International.

The fear of nuclear annihilation being a topic for normal conversation at work.

The Smiths, Billy Bragg, the first truly successful global political campaign, the anti apartheid movement and a generation of dedicated and hard-working young people opposed to the wanton greed of Thatcherism and ‘Thatcher’s Children’.

Boys from the Blackstuff. The dole and a wee bar job on the side. And yes I had a filofax, a Marxism Today filofax, if you will.

The miner’s strike – the one thing that galvanised the left (briefly) and polarised the nation. It was Thatcher v Scargill – there could’ve been a solution but neither protagonist was really looking for solutions for the people in mining communities.

Being young and coming to terms with sex in a post-Aids society.

Nokia Mobira phone and it was £25 per month and 25 pence per minute outside the M25 and 50 pence per minute inside the m25! Why, I have no idea!

Mobile phones, I was considered quite sophisticated by having my own BT Phonecard to ring home; CDs, we were still all vinyl and tapes.

The appeal of going to the cinema faltered in the 80s when the VCR became widely available. However they weren’t cheap. I remember buying my first one in 1982, it cost £280 – compare that to what they cost now (if you can still find any on the High St). And the cost of pre-recorded films were even higher, I remember ET coming out, I think it was £84 to buy a copy – so everyone hired it from the video hire shop.

Rotten, nasty self-centred right-wing government. Cynically high unemployment. Pretty grim for the common man, woman and child.

Television

At the start of the Eighties there were three television channels, all terrestrial. MTV was launched in 1981 and Sky started broadcasting in 1989. The seeds of the TV explosion that would change our viewing were sown in the Eighties but it was the last decade of the truly national shared television experience. It isn’t the 28 million who watched the 1981 royal wedding that astonishes, it’s the 19 million who tuned in to Blankety Blank. It’s hard, too, to believe I spent my Saturday afternoons watching a fat old man in a shiny Union flag leotard chase a paunchy fellow dressed as a samurai inside a wrestling ring.

Since there were so few channels, sporting occasions were also national cultural events: Ian Botham’s 1981 Ashes, the 1985 world snooker final between Denis Taylor and Steve Davies. That match, now known as the “Black Ball Final”, was watched by more than 18 million who tuned in over the weekend of April 27-28, 1985. Less than three months later 1.9 billion people across 150 countries watched Live Aid, arguably the defining cultural event of the Eighties. Looking at the list of artists who appeared on stage in London and Philadelphia, I was reminded that the Eighties was the last decade of the truly global superstar: artists like Madonna and U2, plus Michael Jackson and Bruce Springsteen – who both sang on We Are the World but did not appear at Live Aid – were cultural colossi who transcended musical genres.

The other key cultural moment occurred three years after Live Aid with the Second Summer of Love and the rise of acid house and the use of ecstasy among the young. The Eighties began with teenagers sniffing glue and ended with them taking E.

In the absence of downloads we had to go to the cinema to watch films. And it was a time of action heroes who were brawn in the USA: Stallone, Schwarzenegger and Willis boxing, terminating and blasting their way through the decade. It was also the age of the video nasty – films with lurid titles such as I Spit on Your Grave.

It was the Rushdie novel, published in 1988, that was to offer a glimpse of an uglier future Britain. The protests that erupted after the release of The Satanic Verses were the first indication of a religious militancy among some British Muslims that would put the benign assumptions of multiculturalism under severe pressure.

Cultural consumption revealed a similar fracturing, as the computer rivalled the television and the CD as sources of entertainment. The first Sinclair home computers went on sale in 1980. Then at the end of the decade, in 1989, a British scientist, Timothy Berners-Lee, wrote a proposal to create a means for scientists to exchange information by computer.

His title for this invention was the World Wide Web, a final demonstration of how modern Britain – the good, the bad and the ugly – was created in the Eighties.

Pop Music

TOP 10 SINGLES

1 Do They Know It’s Christmas? Band Aid, 1984
2 Relax – Frankie Goes To Hollywood, 1983
3 I Just Called To Say I Love You – Stevie Wonder, 1984
4 Two Tribes – Frankie Goes To Hollywood 1984
5 Don’t You Want Me – Human League, 1981
6 Last Christmas – Wham!, 1984
7 Karma Chameleon – Culture Club, 1983
8 Careless Whisper – George Michael, 1984
9 The Power of Love – Jennifer Rush, 1985
10 Come On Eileen – Dexy’s Midnight Runners, 1982

The early 80’s saw the rise of a new, but short lived phenomenon – the appearance of cross-dressing pop stars. While the men were trying the look like women, the reverse also applied – although it wasn’t as wide spread.

Boy George was probably the first 80’s performer to popularise the gender bender style which saw a momentary peak in 1983. Marilyn soon followed, but in an effort to become a more serious performer, he dropped the frock and quickly fell into the fickle 80’s fashion abyss. Around the time of Boy George’s rise, Annie Lennox also appeared in Sweet Dreams – sporting a short orange haircut and male suit. While this fad seem to disappear by late 84, a momentarily resurgence of the gender benders appeared in 1985 with Dead or Alive.

TOP 10 ALBUMS

1 Brothers In Arms – Dire Straits, 1985
2 Bad – Michael Jackson, 1987
3 Thriller – Michael Jackson, 1982
4 Greatest Hits – Queen, 1981
5 Kylie – Kylie Minogue, 1988
6 Whitney – Whitney Houston, 1987
7 Tango In The Night – Fleetwood Mac, 1987
8 No Jacket Required – Phil Collins, 1985
9 True Blue – Madonna, 1986
10 The Joshua Tree – U2, 1987

Films

1 ET: The Extra-Terrestrial, 1983
2 Crocodile Dundee, 1987
3 Who Framed Roger Rabbit, 1988
4 Fatal Attraction, 1988
5 Crocodile Dundee II, 1988
6 Ghostbusters, 1984
7 Star Wars: Return of the Jedi, 1983
8 Back to the Future, 1985
9 A Fish Called Wanda, 1988
10 For Your Eyes Only, 1981

clink on links below for more memories

memories of the Sixties

www.flickr.com/photos/brizzlebornandbred/11623627225/

memories of the Seventies

www.flickr.com/photos/brizzlebornandbred/11644431475/

Hornby-Dublo
plastic fan mould maker
Image by brizzle born and bred
Meccano model trains and Dinky Toys were invented by Liverpool’s Frank Hornby.

Frank Hornby (15 May 1863 – 21 September 1936) was an English inventor, businessman and politician. He was a visionary in toy development and manufacture and produced three of the most popular lines of toys in the twentieth century: Meccano, Hornby Model Railways and Dinky Toys. He also founded the British toy company Meccano Ltd in 1908.

What Lionel is to U.S. model trains, Hornby is to the U.K.’s. Its 1937 “Princess Elizabeth” locomotive is considered the pinnacle of O Gauge trains. Its Hornby-Dublo “Cardiff Castle” is in the Guinness Book of World Records for running 153 miles nonstop. The Hornby-Dublo “Deltic” made news by transporting a 35-pound child on a specially made 00 Gauge trolley. And its “Flying Scotsman” was so popular, it was produced in 18 different versions.

Hornby was not, however, the first toy train in the British Isles. Train sets were first sold in England at the turn of the century, more than two decades after tinplate miniature trains were first produced in Germany and France. A man named W. J. Bassett-Lowke, “the father of British toy trains,” hired German toy train manufacturer Bing to produce sets based on British railways and began selling these imported toys.

Frank Hornby, whose Hornby Series is considered the epitome of British miniature train sets, did not come up with the concept of toy trains, either, nor was he even the first to bring them to Britain. In fact, around the turn of the century, Hornby was more interested in patenting his own invention, a construction toy set, first called Mechanics Made Easy, and then rebranded as Meccano shortly after its launch in 1907.

Meccano was a tremendous success, and it wasn’t long before Hornby’s fascination with cranes and bridge-building turned toward the railroad. In 1915, he produced a railway game called Raylo, not sold under the Hornby name, which used a clockwork locomotive, likely made by Märklin. To play Raylo, players manipulated a series of switches to prevent the engine from running into the siding or off the rails.

When the Hornby Clockwork Train, using the standard O Gauge, was finally introduced in 1920, it was considered revolutionary among toy-train enthusiasts. The Hornby Train Set employed the clever technology of Meccano, designed to be taken apart and put back together. In addition, nearly all toy trains of that era were tinplate, but the Hornby’s locomotive and coal-car were made of nickeled base plates enameled in black, red, or green, with brass trimmings.

Only three of the 120 British railroad companies were represented—London & North-Western Railway (black), Midland Railway (red), and Great Northern Railway (green). Their locomotives all had the same running number, 2710, on brass plates attached to their sides. Only the tender was trademarked with “M Ld L England” on the side for “Meccano Ltd. Liverpool, England.”

The Hornby Series was a huge success, partly because German products were so unpopular after the First World War. Around the same time, Meccano also offered a cheaper version of its three engines based on German tinplate designs—they were sold under the name Tinprinted Train Set.

Even though electric toy trains were produced in Germany and America starting around 1900, companies struggled with safety and the correct voltage for their tracks. So, again, Hornby, which produced an electric toy train in 1925, could be considered a little late to the game, but the company had a trick up its sleeve to one-up competitors.

The Hornby Electric Train Set, the first with a locomotive modeled after a real-life engine, was inspired by the Metropolitan Railway, now called London’s Underground Metropolitan Line, which was the first passenger subway. It had been slowly converted from steam to electric power from 1905 on, which means Hornby was able to launch its first electric toy train based on a real-life electric train rather than a steam engine.

Even so, Hornby’s electric model, which had a tinplate body and used 100 to 240 volts of alternating or direct current, was not considered entirely safe. According to some versions of the history, Parliament and the U.K. Home Office put pressure on Meccano until the company withdrew the high-voltage train set and began offering a low-voltage accumulator version.

In the late ’20s, Hornby was also under pressure to make a train on the half-size H0 scale, which was becoming increasing popular, but the company refused to relent. Two years after Frank Hornby’s death in 1936, though, the company launched its own miniaturized train set called Hornby-Dublo. It had its own scale, but it could run on any HO Gauge track.

In the mid-’30s, Bassett-Lowke had already experienced great success importing the H0 Gauge Trix Twin Railway from Germany, which had 16.5 mm between the rails, as opposed to 33 mm on the standard O Gauge sets of the time. These electric trains were powered by a center rail that could use right- or left-hand pick-ups, meaning two locomotives could run independently on the same track.

When Meccano, now managed by Hornby’s son, launched it’s smaller-scale train in 1938, it introduced its own proportions. While the wheels ran on 16.5 mm H0 Gauge tracks, the rest of the train set was proportioned at a ratio of 1:76 (4 mm to 1 ft), instead of the 1:87 ratio (3.5 mm to 1 ft) of most H0 train sets.

Meccano made the Hornby-Dublo to be deliberately out of scale, with the wheels closer together than they should be (true scale would have required the rails to be 18.83 mm apart), because actual British train engines at the time were smaller than those in America and the rest of Europe. Otherwise, it would have been difficult to fit all the toy-train mechanics of a British toy locomotive into the existing H0 scale.

Meccano dubbed this new scale as 00 or Double 0, and the trains were named “Dublo,” intended to be pronounced as “Double O.” Because Hornby trains were wildly popular, this peculiar proportion became the standard for toy trains in the United Kingdom. In the United States, 00 Gauge means something different—a train that runs on a 19 mm track.

The company boasted that the Hornby-Dublo let you “lay out a complete model railway on your dining table.” Train fanatics loved the product for its highly detailed diecast locomotives, made using techniques Meccano had perfected in its line of diecast model cars called Dinky Toys. Hornby-Dublo was also praised for its top-notch three-rail track that allowed trains to run smoothly.

The 1958 launch of the English Electric Type 1 Bo-Bo Diesel Electric Locomotive marked two milestones for the Hornby brand—it was its first locomotive made from molded plastic rather than diecast metal, and it was the first inspired by a diesel engine, which fans of steam trains resented.

Another innovation, in 1959, was the introduction of Hornby-Dublo’s first two-rail track line, meant to compete with Rovex’s Tri-ang two-rail line. Unfortunately, enterprise brought about the downfall of the company. To keep fans happy, Meccano had to keep selling the three-rail track at the same time, at great cost.

In 1964, Lines Bros., the corporate parent of Rovex, maker of Hornby competitor Tri-ang Railways, purchased Meccano Ltd.—it wasn’t long before the two separate lines of trains were merged into one, Tri-ang Hornby. However, only two Hornby-Dublo products were fully brought into the line, the Terminus and Through Station Kit and the E3000 Locomotive, using the running number E3001.

By 1971, the Lines Bros. business had disintegrated, and the miniature railroads became Hornby Railways again. In recent decades, the Hornby brand has continued to be known for its accurate train models, and has remained a model-railroad leader in the United Kingdom.

memories of the Eighties!
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Image by brizzle born and bred
I started with the 1950s then the 1960s and the 1970s and continue with the 80s.

God it all comes rushing back! I thought it was all just a bad dream!. (A sure sign of the ageing process)

It was a time when Don McClean’s version of Roy Orbison’s ‘Crying’ sat atop the singles chart, its glum chorus summing up a country struggling to emerge from the late-70s doldrums.

GDP had dropped by -1.8 per cent while unemployment, at 5.8 per cent or 1.56million, was still some 0.3 per cent or 360,000 short of today’s more painful figure.

While Britons got by on an average wage of £6,000 (the equivalent of about £19,000 today), petrol cost 28p a litre (90p), a pint of beer was 35p (£1.10), a loaf of bread 33p (£1.10) and a pint of milk 17p (54p).

At the month’s end, the pre-decimal sixpence was withdrawn from circulation. Later that summer, Alexandra Palace in London was part-destroyed by fire.

The British Olympics team returned from Moscow with a medal haul – including five golds – that left them ninth in the table, below Hungary, Romania and Bulgaria. The USSR finished top with 80 golds.

Earlier in the year, the first episode of Yes, Minister had been broadcast by the BBC and SAS officers ended a hostage crisis by storming the Iranian Embassy in London, killing five terrorists and free all the captives.

Political events were to prove emblematic of the coming decade. In June it was announed that nuclear weapons were to be stored at RAF Greenham Common, prompting years of protests from the CND.

The 1980s set the mould for Britain today!.

It was the decade of Thatcher, yuppies and big phones.

In October, amid murmurs that she would be forced to make a U-turn in her economic policies, Margaret Thatcher, the prime minister, told the Conservative Party conference: "You turn if you want to. The lady’s not for turning."

In November, Ronald Reagan, the Republican former actor and Governor of California was elected US president, defeating by a landslide Jimmy Carter, who had presided over a sharp economic decline.

Back in Britain, after the resignation of Jim Callaghan, Labour elected the left-winger Michael Foot as leader, opening a generation of in-fighting that would see them fail to retake power for another 17 years.

In sport, while England failed to progress past the group stages of the European football championships in Italy, there were also then-unknown reasons for long-term optimism: future stars Steven Gerrard, John Terry and Ashley Cole were all born during the year.

Meanwhile, the assassination in December of John Lennon outside his New York apartment building capped a year of terrible losses to British arts. Among others who died were the film-maker Sir Alfred Hitchcock, the photographer Sir Cecil Beaton, the actors Peter Sellers and Hattie Jacques, and the musician Ian Curtis.

But for many of you reading this, it was all about BMX bikes, big hair, bright socks and New Romantics.

I remember the 80s as a consumerist paradise with massive phones, filofaxes and flash suits. There were also downsides outside of London, with riots and unemployment but to be honest the UK was rightfully feasting on Jambon at the table of European Commercialism and Progress.

www.youtube.com/watch?v=_iAzIkjO3G0&list=RD_iAzIkjO3G…

Thank God I was an adult (in age anyway) in the 80s!

Being born in 1949 and then growing up during the 50s, 60s and 70s I found the 80’s a huge disappointment!

In the 60s we had free love, drugs, wild new music, in the 70s Glam and Punk rock, more free love, fun clothes.

But just as you were getting old enough to enjoy yourself without parental supervision! The 80s gave us Thatcherism, Aids, poncey poodle fashions and the most celebrated music star – Boy George telling us ‘War, War is stupid…’

It was the decade of spend, spend, spend, for some of 80s Britain.

The Cold War

A poll conducted in 1980 found 40 per cent of adults said they believed a nuclear war was likely in the next 10 years.

Yes deep insecurities were being sown in people’s minds as tensions between East and West heightened.

In the early 80s there was an intense awareness of the Cold War. Every move of the Kremlin was watched by the media at the time, should some crisis in Central America or the Middle East ignite World War Three.

Ronald Reagan was the president, talking of the evil empire, and spending huge sums on the military. Cruise missiles were being delivered to Greenham Common and Molesworth to much protest at the time.

As an adult now, you can appreciate the doctrine of "outspending, outperforming" the communist bloc which in the end hastened its demise. But at the time, watching the Soviet soldiers marching through Red Square in front of Brezhnev, you did wonder what might happen.

The nuclear threat was addressed in pop music with Nena’s 99 Red Balloons and Frankie Goes to Hollywood’s Two Tribes, on television with The Day After and Threads and in films such as Defence of the Realm and WarGames.

Britain busy being born

The Eighties were more subtle and significant: there would be no Katie Price without Samantha Fox, no Lady Gaga without Madonna, no Simon Cowell without Stock, Aitken and Waterman and no David Cameron without Margaret Thatcher.

The Eighties marked the death of one Britain and they hinted at another Britain busy being born.

The Eighties can appear endearingly unfamiliar. What did we do with our hands when we didn’t have smart phones? How did we waste time before Twitter?

Britain in turmoil

There was massive unemployment, whole of Britain in turmoil under thatcher, lads like me off to a phony war for political gain, and criminals like Archer and Maxwell running riot with Justice…I lost some respect I had for the police in the 1980s, following their handling of the 1984-85 miners’ strike.

It struck me that they were quite happy to stand back and watch football hooligans run riot on match days, for example (a genuine disturbance of the peace issue), but were overly keen to viciously truncheon miners and charge them with horses as and when required (a legal dispute between employees and employers).

The police should only be used to enforce the law and not be used to implement a political agenda (in this case, Thatcher’s destruction of our coal mining industry).

I remember huddling around a small battery-operated black and white TV by candlelight through yet another electricity strike, watching news reports of rats collecting around piles of uncollected rubbish in the streets.

Everyone lived at the mercy of the trade unions, employers could not remove lazy workers, and British manufactured goods, famous for their poor quality, were a worldwide joke.

The rise of capitalism, the inner city riots, rise of city yuppies and estate agents, we eventually saw the dark side of capitalism, where money, greed and power became more important than anything else. The eventual collapse of the banking system was the inevitable result of an economy reliant on money which did not actually exist.

From the miners’ strike, the Falklands War and the spectre of AIDS, to Yes Minister, championship snooker and Boy George.

Falklands War, the Miners’ Strike and the Brixton riots, as well as those reflecting on industry in the 1980s, unemployment and redundancy, and HIV and Aids.

Britain changed more in the 1980s than in almost any recent decade. The rise of the City and the fall of the unions, the wider retreat of the left and the return of military confidence, the energy of a renewed entrepreneurialism and the entropy of a new, entrenched unemployment.

The 1980s, destined to become the darkest decade for English football, opened with a portent of things to come when England travelled to the European Championships in Italy.

The rioting on the terraces during that tournament was a sight that was to become commonplace whenever the national team travelled abroad in the ensuing years.

You name a European city and it will have experienced so-called England fans terrorising stadiums or rampaging through the streets and squares.

It is good on music, showing how music evolved from political protest songs by the Specials and UB40 in the early 80’s, through to Live Aid in 1985 and then to Stock, Aitkin and Waterman whose musical production line with songs by the likes of Kylie and Rick Astley dominated the last few years of the decade.

Any memeories of Britain in the 1980s must inevitably revolve around the former Conservative Prime Minister and Thatcherism.

The Thatcher years

Yet Thatcherism was the bell-ringing herald of an age of unparalleled consumption, credit, show-off wealth, quick bucks and sexual libertinism. When you free people, you can never be sure what you are freeing them for.

Ted Heath had fought and lost an election on the question of ‘who governs?’ in the 1970s; and Thatcher was determined history would not repeat itself. Those on the right will regard her as a heroic figure that dragged Britain kicking and screaming into the modern age.

"Thatcher the milk snatcher" had the reins – and there was a sad anticipation that things were not going to get better.

Elected just after the industrial unrest of the "Winter of Discontent", she embarked on a tough reform programme with the top priorities of tackling inflation and the unions.

The Eighties did not begin on January 1 1980; they began on May 4 1979 with the arrival of Margaret Thatcher in Downing Street.

Queen Elizabeth may have reigned but it was Thatcher who ruled the Eighties

She was the longest-serving British Prime Minister of the 20th century and is the only woman to have held the office. A Soviet journalist called her the "Iron Lady", a nickname that became associated with her uncompromising politics and leadership style. As Prime Minister, she implemented policies that have come to be known as Thatcherism.

She was the Prime Minister of the United Kingdom from 1979 to 1990 and the Leader of the Conservative Party from 1975 to 1990.

Thatcher became Prime Minister on 4 May 1979. Arriving at 10 Downing Street, she said, in a paraphrase of the prayer Make Me an Instrument of Your Peace:

"Where there is discord, may we bring harmony. Where there is error, may we bring truth. Where there is doubt, may we bring faith. And where there is despair, may we bring hope".

Falklands War

The defining event of her premiership was the conflict over the Falkland Islands. In many respects the Falklands War was a bizarre conflict: as Ronald Reagan was moving towards promulgating a missile defence system that would involve space-based interceptor missiles, Britain found itself embroiled in a conflict ‘whose origins owed more to the preoccupations of the nineteenth century … in that it was about the ownership of territory’

The weapons that both sides used were by and large still those of the Second World War; and newspapers were the most immediate means for the public to gain information about the conflict.

The ‘last of the good-old fashioned wars’; a throwback to the days before humans became so good at killing each other that conflict now potential involved the destruction of the entire planet. And ultimately, the conflict was a more close-run thing than popular memory allows. It should also be noted that some people claim that reports of a ceasefire in the Falklands conflict began to emerge during the 1982 World Cup final. This is highly unlikely, given that the ceasefire was signed on 14 June and the World Cup final took place on 11 July.

Although it undoubtedly played its part, victory in the Falklands War was not entirely responsible for Thatcher’s re-election in 1983. Opinion polls suggest the tide had begun to turn at the start of 1982, with the unemployment rate still growing – but more slowly – and the economy beginning to turn around. That said, the Falklands transformed Thatcher from a unreliable quantity into the Tories prime electoral asset. In contrast, opposition leader Michael Foot attracted large amounts of derision, with one Times columnist describing him as the sort of man ‘unable to blow his nose in public without his trousers falling down’

Meanwhile the novelty of the SDP had quickly worn off after its formation in the early 1980s – there was now no need for ‘for the media to dispatch a camera team every time Shirley Williams stepped deftly from a railway carriage onto a station platform’

Thatcher’s Children

But many of you were oblivious to the political drama and the social changes sweeping Britain because you were growing up.

The Eighties. What do you remember?

See below for childhood memories in the 80s.

BMX bikes, Rent-a-Ghost and ZX Spectrum computers were more important.

Digital watches that were usually made by Casio, and which sometimes doubled as calculators.

Gordon the Gopher (and the Broom Cupboard) Phillip Schofield’s adorable squeaking sidekick

Back to the Future or anything involving Michael J Fox

Ghostbusters

Heavy Metal

Wham! George Michael and Andrew Ridgeley (aided and abetted by Pepsi and Shirley) sold 25 million records worldwide between 1982 and 1986. A similar number of British market stalls sold knock-off ‘Choose Life’ T-shirts.

Sun-In The best thing to happen to ’80s hair along with the perm, Sun-In turned your barnet blonde (or more likely, orange) in an instant.

Arcade/computer games Pac-Man, Frogger, Donkey Kong, Pole Position… If you weren’t playing them at home, you were playing them down the arcade. Pocket money was never spent so quickly.

The Young Ones Even if we were too young to understand all the jokes (especially the rude ones), ‘The Young Ones’ was an unforgettable – and incredibly quotable – comedy feast for us ’80s kids.

Torvill And Dean Bolero. Mack and Mabel. And here, Barnum. Suddenly, ice skating wasn’t just a sport but a moving, musical spectacle.

PEZ sweet dispensers Dispensing little tiny fizzy sweets was never so much fun!

Sinclair Spectrum.

Commodore 64.

Madonna She chewed gum, snogged boys and showed her bra – all while singing and dancing. We British children had never seen the likes of it, and were forever changed.

Transformers Transformers – more than meets the eye! Transformers – robots in disguise! And so on.

Slush Puppies The best way to get brain freeze as a child in the ’80s.

Grange Hill In the ’80s, British children liked nothing more than coming home from school to watch a show about children at school. Which was perfectly understandable, because that show was ‘Grange Hill’.

Bucks Fizz They won the Eurovision Song Contest in 1981 with an audacious display of catchy pop, fluffy hair and skirt-losing. And lo! British kids had four new pop heroes.

Neighbours A must-watch for British schoolchildren at lunchtime, after school, or both.

Duran Duran Did we know what they were singing about? No. Did we care? No. They had great tunes, and ever greater hair.

The Sony Walkman Which enabled us to listen to Duran Duran everywhere. Hoorah!

John Hughes’ movies Ferris Bueller’s Day Off, Pretty In Pink, The Breakfast Club… Hughes’ movies weren’t just relatable, they were a slice of cool American escapism.

He-Man …and the masters of the universe, of course. "By the power of Greyskull!"

Five Star "Britain’s answer to The Jackson Five" weren’t really that. But they were fine purveyors of kid-friendly bubblegum pop and shoulder pads.

BMX bikes What the Chopper was to the ’70s, so the BMX was to the ’80s. Especially after we all saw ‘E.T.’

The Adventure Game The same tasks each week, yet never a moment of dullness? It had to be the delightful, Douglas Adams-esque ‘The Adventure Game’.

Trivial Pursuit At last! British families had another board game to play apart from Monopoly. And it really sorted out the smart people from the, erm, people who regularly got stuck on blue Geography questions, ie everyone.

Breakdancing As popularised in the movie ‘Breakdance: The Movie’ and attempted, badly, by children at school discos throughout Britain.

Dangermouse!

The Royal Wedding/Princess Diana British girls now had a pretty princess to coo over, British boys now had a member of the royal family they could actually fancy, and British kids everywhere got a day off school. Hoorah!

Saturday Superstore The tradition started by ‘Multi-Coloured Swap Shop’ continued with ‘Saturday Superstore’, which ran from 1982 to 1987 and was hosted by Mike Read (he of the colourful glasses), Sarah Greene (she of the hair scrunchies) and Keith Chegwin (he of the annoying laugh).

Culture Club "Is it a boy? Is it a girl?" No sooner had Boy George confused British kids with his androgyny than he’d swept them off their feet with a string of catchy hits. Marvellous.

The Rubik’s Cube There was only one question on kids’ lips in the ’80s. And that was: "Can you do it?"

Now That’s What I Call Music… The best music compilation albums ever? Back then – when they were being sold to us by a pig voiced by Brian Glover – most certainly, yes.

Fame The ‘Glee’ of the ’80s. Hands up who didn’t dream of flying to New York, auditioning for the High School Of Performing Arts and dancing on top of a yellow taxi? We know we did.

Acne, puberty, A-Team, Night Rider, Young Ones, Only Fools & Horses, Miami Vice, XR3i and the Lamborghini Countach.

Wham, many young girls were so in love with George Michael. All that lusting, then you find out he’s gay!. Remember the "lewd act" in a public lavatory!.

The A-Team and Mr T

Michael Jackson and the huge anticipation around the release of the Thriller video. The album probably remains the best selling of all time.

Airwolf

Street Hawk

Waca-Day & Timmy Mallett

10p sweetie mix-ups

Liverpool FC & John Barnes/Ian Rush

Wimpy burgers

Atari consoles & Space Invaders

Thriller & the moonwalk

Roland Rat

Campri ski-jackets

Robin Of Sherwood

Hoddle & Waddle

Tea-bags

Different Strokes

‘VW’ badges

Newcastle FC/Brazil pom-pom hats

The Karate Kid

Mexico 86 & Gary Lineker’s wrist bandage

Music was loud and often involved electric pianos the size of Wales.

TVs were multiplying as well as getting bigger

Top loading video recorders and huge microwave ovens appeared whilst trim phones disappeared.

Monster record players started to shrink and CD players started to grow.

Home computers spread like wildfire

Work computers often filled entire rooms but started to shrink.

Cars still fell apart (unless Japanese or German) but started getting demographically faster with 205 and Golf GTi, more valves and the occasional turbo. Diesels still smelt and were usually lorries. People started to forget what a choke was, and only owned a 4×4 if they had a field or hillside to drive it over.

Pizza was suddenly the "in" food. Of course in the early days it was usually your typical frozen ones. They were great for dinner during school holidays, a real change to boring sandwiches.

Rubik cubes, the rise of 1980s hair. LA Hair Metal and the death of Punk, the original Live Aid concert. Big shoulder pads, thanks to Dallas – which also started the "I Shot JR". BMXs, cassettes and LPs were still on the go. Boy George and Adam Ant doing the "Prince Charming"

Sinclair Spectrum computers, Commodore 64s and Amstrad 1640, BBC Computers and Acorns and the rise of the Apple Mac. Pretty in Pink, Ferris Bueller’s Day Off, the conclusion of the Indiana Jones trilogy, Back to the Future and Gremlins.

The series finale of M*A*S*H and such classics Dallas and Cheers.

Ray Ban sunglasses. The must-have designer labels on clothes. The "I must have MTV". The Michael Jackson and his groin-grabbing routines. The Madonna and her controversial music videos.

Seeing ET in the cinema and crying at the end!

Being madly in love with Simon le Bon and wanting to be like Madonna, riding around on a battered BMX, watching Live Aid on telly, Marathons in a selection box every Xmas, drinking Quantro and trying to get drunk on Top Deck. Being a teenager when the second summer of love happened in 89…Happy days!!

Ra-ra skirts, po-go sticks, Dallas, Tenko, Soda-stream, Wagon wheels and the slipper at school!

The Smiths

…ah, Heaven…80’s weren’t bad after all!.

More memories of the 80s

Being worried about getting Aids from banknotes; trying to persuade dad to build a nuclear bunker; and Jimmy Knapp the hero of London commuters who stopped us being able to get to work during the summer of 1988 and 1989!

Ah, the thawing of Cold War. The collapse of communism in Europe. The intifada in Israel and its disputed territories. The revolving door of Soviet Union leaders spinning faster than ever. The stock market crash of 1987.

Coal. Snow. Cold winters in the south. No radiators. Hair gel and shellsuits. White socks, white trainers and Run DMC style wearing the tongues out of the laces. Multicoloured luminous and mismatched socks and Bruce Lee Kung Fu slippers. Betamax and VHS. Madness and The Young Ones.

Women could wear fur coats without the Anti brigade being very hypocritical, ie wearing leather and saying fur was bad! Choppers (bicycles)! Huge Video Cameras, even bigger phones, shiny suits and cool cars.

More bits of plastic in the wallet. In turn followed by interest rate hikes, less work, negative equity.

Memories of a phone box as the privatisation improved telecoms beyond recognition. Shops no longer closed Wednesday afternoon, and power cuts caused by strikes.

The music and popular culture of that decade (especially the New Romantic early 80s) made such a vivid contrast with the nihilism of the late 70s punk era. Boys started wearing pastel pink and yellow and still looked cool (in spite of the mullet hairstyles).

The North/South divide was at its height in the 80s.

The age that made cocaine, political and financial incompetence, nepotism and tasteless extravagance acceptable.

Flying a Union jack when the Falklands War started.

Miners Strike going on forever, Cruise Missiles and strikes at News International.

The fear of nuclear annihilation being a topic for normal conversation at work.

The Smiths, Billy Bragg, the first truly successful global political campaign, the anti apartheid movement and a generation of dedicated and hard-working young people opposed to the wanton greed of Thatcherism and ‘Thatcher’s Children’.

Boys from the Blackstuff. The dole and a wee bar job on the side. And yes I had a filofax, a Marxism Today filofax, if you will.

The miner’s strike – the one thing that galvanised the left (briefly) and polarised the nation. It was Thatcher v Scargill – there could’ve been a solution but neither protagonist was really looking for solutions for the people in mining communities.

Being young and coming to terms with sex in a post-Aids society.

Nokia Mobira phone and it was £25 per month and 25 pence per minute outside the M25 and 50 pence per minute inside the m25! Why, I have no idea!

Mobile phones, I was considered quite sophisticated by having my own BT Phonecard to ring home; CDs, we were still all vinyl and tapes.

The appeal of going to the cinema faltered in the 80s when the VCR became widely available. However they weren’t cheap. I remember buying my first one in 1982, it cost £280 – compare that to what they cost now (if you can still find any on the High St). And the cost of pre-recorded films were even higher, I remember ET coming out, I think it was £84 to buy a copy – so everyone hired it from the video hire shop.

Rotten, nasty self-centred right-wing government. Cynically high unemployment. Pretty grim for the common man, woman and child.

Television

At the start of the Eighties there were three television channels, all terrestrial. MTV was launched in 1981 and Sky started broadcasting in 1989. The seeds of the TV explosion that would change our viewing were sown in the Eighties but it was the last decade of the truly national shared television experience. It isn’t the 28 million who watched the 1981 royal wedding that astonishes, it’s the 19 million who tuned in to Blankety Blank. It’s hard, too, to believe I spent my Saturday afternoons watching a fat old man in a shiny Union flag leotard chase a paunchy fellow dressed as a samurai inside a wrestling ring.

Since there were so few channels, sporting occasions were also national cultural events: Ian Botham’s 1981 Ashes, the 1985 world snooker final between Denis Taylor and Steve Davies. That match, now known as the “Black Ball Final”, was watched by more than 18 million who tuned in over the weekend of April 27-28, 1985. Less than three months later 1.9 billion people across 150 countries watched Live Aid, arguably the defining cultural event of the Eighties. Looking at the list of artists who appeared on stage in London and Philadelphia, I was reminded that the Eighties was the last decade of the truly global superstar: artists like Madonna and U2, plus Michael Jackson and Bruce Springsteen – who both sang on We Are the World but did not appear at Live Aid – were cultural colossi who transcended musical genres.

The other key cultural moment occurred three years after Live Aid with the Second Summer of Love and the rise of acid house and the use of ecstasy among the young. The Eighties began with teenagers sniffing glue and ended with them taking E.

In the absence of downloads we had to go to the cinema to watch films. And it was a time of action heroes who were brawn in the USA: Stallone, Schwarzenegger and Willis boxing, terminating and blasting their way through the decade. It was also the age of the video nasty – films with lurid titles such as I Spit on Your Grave.

It was the Rushdie novel, published in 1988, that was to offer a glimpse of an uglier future Britain. The protests that erupted after the release of The Satanic Verses were the first indication of a religious militancy among some British Muslims that would put the benign assumptions of multiculturalism under severe pressure.

Cultural consumption revealed a similar fracturing, as the computer rivalled the television and the CD as sources of entertainment. The first Sinclair home computers went on sale in 1980. Then at the end of the decade, in 1989, a British scientist, Timothy Berners-Lee, wrote a proposal to create a means for scientists to exchange information by computer.

His title for this invention was the World Wide Web, a final demonstration of how modern Britain – the good, the bad and the ugly – was created in the Eighties.

Pop Music

TOP 10 SINGLES

1 Do They Know It’s Christmas? Band Aid, 1984
2 Relax – Frankie Goes To Hollywood, 1983
3 I Just Called To Say I Love You – Stevie Wonder, 1984
4 Two Tribes – Frankie Goes To Hollywood 1984
5 Don’t You Want Me – Human League, 1981
6 Last Christmas – Wham!, 1984
7 Karma Chameleon – Culture Club, 1983
8 Careless Whisper – George Michael, 1984
9 The Power of Love – Jennifer Rush, 1985
10 Come On Eileen – Dexy’s Midnight Runners, 1982

The early 80’s saw the rise of a new, but short lived phenomenon – the appearance of cross-dressing pop stars. While the men were trying the look like women, the reverse also applied – although it wasn’t as wide spread.

Boy George was probably the first 80’s performer to popularise the gender bender style which saw a momentary peak in 1983. Marilyn soon followed, but in an effort to become a more serious performer, he dropped the frock and quickly fell into the fickle 80’s fashion abyss. Around the time of Boy George’s rise, Annie Lennox also appeared in Sweet Dreams – sporting a short orange haircut and male suit. While this fad seem to disappear by late 84, a momentarily resurgence of the gender benders appeared in 1985 with Dead or Alive.

TOP 10 ALBUMS

1 Brothers In Arms – Dire Straits, 1985
2 Bad – Michael Jackson, 1987
3 Thriller – Michael Jackson, 1982
4 Greatest Hits – Queen, 1981
5 Kylie – Kylie Minogue, 1988
6 Whitney – Whitney Houston, 1987
7 Tango In The Night – Fleetwood Mac, 1987
8 No Jacket Required – Phil Collins, 1985
9 True Blue – Madonna, 1986
10 The Joshua Tree – U2, 1987

Films

1 ET: The Extra-Terrestrial, 1983
2 Crocodile Dundee, 1987
3 Who Framed Roger Rabbit, 1988
4 Fatal Attraction, 1988
5 Crocodile Dundee II, 1988
6 Ghostbusters, 1984
7 Star Wars: Return of the Jedi, 1983
8 Back to the Future, 1985
9 A Fish Called Wanda, 1988
10 For Your Eyes Only, 1981

Cool Plastic Auto Exterior Mold images

Cool Plastic Auto Exterior Mold images

Some cool plastic auto exterior mold images:

Bazile (33)
plastic auto exterior mold
Image by Douglas R Witt
Now that Bazile is back in one piece, it’s time to do a little extra work in the back of the mask. The photos in this collection have taken place over the last three day… this is a time of waiting and working sections… it takes time for the mask to settle and dry, this work needs to be done somewhat slowly if you are to get a mask that isn’t warped out of shape. There are a few things that I do to keep it from deforming.

I use the original armature in this case it’s a plaster life cast of my teacher/actor friend Sean Daly. I put the mask back over the plaster armature to make sure it will not warp out of face shape.

I have found that Papier-mâching the inside of a mask must be done in stages… start with the middle features like the eyes nose and mouth… than Papier-mâché outward. Leave the rim of the mask as the last thing to mâché … this can be fast or slow… depending how large the mask is and how much interior work needs to be done… Bazile mask is still drying 72 hours later. It’s just starting to harden…

The reason it’s taken this long is because of two factors. It’s been raining a lot here and it’s made the apartment more humid than normal, the other and the main reason is because I used a TP Paste (the white stuff) to fill some of the large negative spaces like the nose, around the eyes, ears and bottom lip. The white stuff that you’re looking at is a mixture of all-purpose white glue and shredded bathroom tissue.

I use this TP Paste to fill in a few areas of the mask that I feel need some protection from wear and tear just in case it gets bumped while being used on stage. Once I have used the TP Paste to fill in the areas of the mask I want to straighten I will leave it to dry for 6 hours or more.

Warning: this mixture should be used sparingly because it takes a long while to dry, also if you use a ton of it will make the mask heavier hard to wear.

Even though I didn’t use very much of this Paste it will take three days plus to fully dry. I don’t use it very often, but it’s really a good thing to us to fill gaps. It’s like a mask maker’s auto body filler to smooth some uneven exterior lumps and it strengthens the mask, I felt this mask need it and what a great chance to show you 🙂 super mask making secretes

I do another six layers of Papier-mâché in the back of the masks. This will bulk up the mask a bit and give it some extra stability for frequent use on stage or using as a teaching mask. In these photos the first thing I did was use the TP fill and then let it sit to settle and dry in front of a fan for 16 hours. Then I cut out the ear holes, nostrils and trimmed the rim of the mask. Once I am happy with the timing I Papier-mâché six layers on the interior of the mask starting with the middle features in the mask and worked my way outward. I did the eye, ears, nose, chin and cheek area. Then I let it settles in front of the fan for another 8 hours. Once it was dry I finished the brows and forehead and Papier-mâché the rim of the mas with smaller ribbons of paper, this will seal the mask completely and keep it from possibly chipping for flaking apart from you’re face sweat and warm breath from regular use… it also makes it look nice.

Once all six layers of mâché are finish… put in front of the fan again and let it sit and dry again for at least 8 hours… there has been a lot of new work done on the mask and you will notice that it will be heavier… there is due to a lot of water added to the mask and it needs to dry out and settle… put it on the armature base you sculpted the mask on and leave it sit for a day or overnight.

Now that the mask is dry… it’s time to add the fabric elastic head band, you can us any kind of head band suits your fancy or whatever turns you on… String, Ribbon, leather, Fabric elastic, etc… the way to attach them is basically the same although my method is not the only way… and you’re welcome to explore others.
For Bazile mask I am using a half inch black fabric elastic, you can pick it up at any place that sells fabric. I use black because it disappears on stage and it never looks dirty. I start off by measuring a length of fabric elastic from temple to temple. Coming around the crown of the back of the head and sitting behind the ears like a pair of sunglasses. I pull the elastic just a little snug (NOT TIGHT) you want the mask to fit a snuggly on your face… in the next set of photos I will be showing how to add foam rubber to the interior of the mask so it will sit comfortable on the face.

Once I have measured out my length of elastic set it aside and get a marker, put the mask on your face and find your temples on the inside of the mask. Once you have marked where the elastic is going to go, use a little dab of hot glue and glue the elastic in… and try the mask on. This may take a few tries so use a little hot glue until you find a comfortable fit. The mask may sit on your face a bit uncomfortable… it may be pressing into the corners of your eyes of sitting very snuggly to your face… that’s ok because that’s what the foam rubber is for.

The pain will show you where to put the foam… ha ha ha!

Once the mask fits snuggly it’s time to use a little more hot glue to anchor the fabric elastic into the mask, try to make the glue as flat as possible using the tip of the hot gun so that you’re not getting poked in the temples by hot glue lumps. Then Papier-mâché three more layers of paper over and around the fabric elastic and set the mask in front of a fan to dry for another 6 hours or so… it’s important to give the mask lots of drying time. The next steps are the sealing and painting and you want a nice dry mask to work on.

Person artist note to beginner mask makers:
The back of the mask is just as important as the front of the mask. Most people think it ends with taking the mask off the mold. But if you spend a few extra hours detailing and finishing the back of the mask you’re going to have a mask that will last longer and take a beating or hang on a wall without deforming over time.

It’s important to also reinforce the back and fill in some of the negative spaces… and add ventilation holes like nostrils and sometimes a small mouth slit. This will help the actor from overheating and cut down on sweating behind the mask. Some masks will fit very close to the face and subsequently create a vacuum effect that is like putting a plastic bag over your face. The ability to breath easily out of the mask is important it will help the actor forget there wearing a mask, also if all you have are eyeholes as venation entrance and exit the flow of air will dry out the performer’s eyes.

Please listen to this music while viewing this set of photos
youtu.be/9HtHEgINHO0

Cool Automotive Mold Design images

Cool Automotive Mold Design images

Some cool automotive mold design images:

1969 Lotus Europa S2 (09)
automotive mold design
Image by Georg Sander
The Lotus Europa was a two door mid-engined GT coupé built by Lotus Cars from 1966 to 1975. In 2006 Lotus began production of a totally new, Lotus Elise-derived design, a mid-engined GT coupé named Europa S.

The original Europa used Lotus founder Colin Chapman’s minimalist steel backbone chassis that was first used in the Lotus Elan, while also relying on its fibreglass moulded body for structural strength. The Europa was based on a prototype built to compete for Henry Ford II’s contract to build a Le Mans race car in the early 1960s.

The Europa was designed and built to be an embodiment of Chapman’s oft-stated philosophy of automotive design: "Simplify, then add lightness."

(Wikipedia)

– – –

Der Europa, im Dezember 1966 vorgestellt, war ursprünglich nur für die ausländischen (nicht-UK) Märkte bestimmt. Die ersten Fahrzeuge wurden nach Frankreich und in die Schweiz verkauft. Er verfügte über den gleichen Motor wie der Renault 16, jedoch war er hinter der Fahrgastzelle als Mittelmotor eingebaut. Dies verlieh dem Europa eine Straßenlage und Fahreigenschaften die eines Rennwagens würdig waren, auch sein Rahmen war für Motoren mit mehr als nur 1470 cm³ ausgelegt. Die Karosserie aus glasfaserverstärktem Polyester war mit einem Zentralträgerchassis aus Stahlblech zu einem geschlossenem Chassis verklebt. Diese Kombination war Voraussetzung für die hervorragenden Fahreigenschaften. Nur 296 Exemplare des ursprünglichen S1 (auf Basis des Grundgedankens des Lotus Gründers Colin Chapman ) wurden gebaut (Chassis Nummer 460001 bis 460296). Diese Fahrzeuge bestanden aus einer extrem minimalistischen Konstruktion, mit geschlossenen Seitenfenstern, festen Sitzen (nur die Pedale waren verstellbar), kaum Türverkleidungen und einfachen Aluminiuminstrumenten.

Ab 1969, anlässlich des Erscheinens der zweiten Serie (Europa S2), wurden Chassis und Karosserie miteinander verschraubt, was jedoch auch die ursprünglichen Fahreigenschaften änderte. Gleichzeitig wurde für den amerikanischen Markt ein Motor mit 1565 cm³ eingeführt. 1971 wurde der Europa TwinCam vorgestellt, der über einen Motor mit zwei Nockenwellen im Leichtmetallkopf und 1558 cm³ verfügte, wie er bereits im Lotus Elan eingebaut wurde. Ein Jahr später ging man zur leistungsgesteigerten Version „Big Valve“ (ähnlich wie beim Lotus Elan Sprint) über und verband ihn mit einem Renault 5-Gang-Getriebe. Diese neue Ausführung nannte man Europa Special.

(Wikipedia)

Cool Auto Mould Manufacturing images

Cool Auto Mould Manufacturing images

Some cool auto mould manufacturing images:

Steven F. Udvar-Hazy Center: South hangar panorama, including Vought OS2U-3 Kingfisher seaplane, B-29 Enola Gay
auto mould manufacturing
Image by Chris Devers
Quoting Smithsonian National Air and Space Museum | Vought OS2U-3 Kingfisher:

The Kingfisher was the U.S. Navy’s primary ship-based, scout and observation aircraft during World War II. Revolutionary spot welding techniques gave it a smooth, non-buckling fuselage structure. Deflector plate flaps that hung from the wing’s trailing edge and spoiler-augmented ailerons functioned like extra flaps to allow slower landing speeds. Most OS2Us operated in the Pacific, where they rescued many downed airmen, including World War I ace Eddie Rickenbacker and the crew of his B-17 Flying Fortress.

In March 1942, this airplane was assigned to the battleship USS Indiana. It later underwent a six-month overhaul in California, returned to Pearl Harbor, and rejoined the Indiana in March 1944. Lt. j.g. Rollin M. Batten Jr. was awarded the Navy Cross for making a daring rescue in this airplane under heavy enemy fire on July 4, 1944.

Transferred from the United States Navy.

Manufacturer:
Vought-Sikorsky Aircraft Division

Date:
1937

Country of Origin:
United States of America

Dimensions:
Overall: 15ft 1 1/8in. x 33ft 9 1/2in., 4122.6lb., 36ft 1 1/16in. (460 x 1030cm, 1870kg, 1100cm)

Materials:
Wings covered with fabric aft of the main spar

Physical Description:
Two-seat monoplane, deflector plate flaps hung from the trailing edge of the wing, ailerons drooped at low airspeeds to function like extra flaps, spoilers.

• • • • •

Quoting Smithsonian National Air and Space Museum | Boeing B-29 Superfortress "Enola Gay":

Boeing’s B-29 Superfortress was the most sophisticated propeller-driven bomber of World War II and the first bomber to house its crew in pressurized compartments. Although designed to fight in the European theater, the B-29 found its niche on the other side of the globe. In the Pacific, B-29s delivered a variety of aerial weapons: conventional bombs, incendiary bombs, mines, and two nuclear weapons.

On August 6, 1945, this Martin-built B-29-45-MO dropped the first atomic weapon used in combat on Hiroshima, Japan. Three days later, Bockscar (on display at the U.S. Air Force Museum near Dayton, Ohio) dropped a second atomic bomb on Nagasaki, Japan. Enola Gay flew as the advance weather reconnaissance aircraft that day. A third B-29, The Great Artiste, flew as an observation aircraft on both missions.

Transferred from the United States Air Force.

Manufacturer:
Boeing Aircraft Co.
Martin Co., Omaha, Nebr.

Date:
1945

Country of Origin:
United States of America

Dimensions:
Overall: 900 x 3020cm, 32580kg, 4300cm (29ft 6 5/16in. x 99ft 1in., 71825.9lb., 141ft 15/16in.)

Materials:
Polished overall aluminum finish

Physical Description:
Four-engine heavy bomber with semi-monoqoque fuselage and high-aspect ratio wings. Polished aluminum finish overall, standard late-World War II Army Air Forces insignia on wings and aft fuselage and serial number on vertical fin; 509th Composite Group markings painted in black; "Enola Gay" in black, block letters on lower left nose.

Cool Auto Mold Design images

Cool Auto Mold Design images

A few nice auto mold design images I found:

Transformer SD 500 Ferrari 500 Mondial S2 replica 1987 fr3q
auto mold design
Image by André Ritzinger
2013 Auto Moto D’Italia – Rosmalen.
Transformer Cars of Frant, Great Britain, was founded in 1986 by Gerry Hawkridge and is best known for producing replicas of the Lancia Stratos. Most were based on Lancia Beta components and were sold as the Transformer HF2000; versions with Alfa Romeo V6 engines or Ferrari V6 and V8 engines were sold as the Transformer HF3000.
A more prestigious project was the Ferrari 500 Mondial Series 2 replica presented by Transformer. It was a remarkably life-like copy of this rare and very valuable car and to this day Ferrari experts discuss which original was used to make the moulds. The chassis is a tubular frame fitted with a fiber glass body and aluminum hood, doors and boot-lid. This version also shows extensive use of aluminum in the interior. Power comes from a 2 Litre 4-cylinder Alfa Romeo unit (in this case an engine from 1970 was used). Expert craftsmanship and attention to detail made the Transformer SD 500 a close match to the original.
In fact, the myth goes that after somewhat more than a dozen of these replicas were made Ferrari bought the designs and the molds and destroyed them. Certain is that only a few were made. Gerry Hawkridge went on to establish Hawk Cars in 1991 and Transformer closed its doors in 1996. The production of Lancia Stratos replicas was transferred to Hawk Cars and continues to this day.